#Detours tailbone for sale series#

It is strong, rich, long-lasting, but most of all, interesting and beautiful from every angle, from top to toe. There is nothing really new or innovative about the rose-oud pairing, but Beauty and the Beast is worth your time and money if you are looking for an exemplar of the heights it can scale when only truly excellent materials are used. This evolution, this symbiotic dance, lasts for a whole 24 hours, so you have ample time to luxuriate in its every transition. First, the character is pungent and sweet, then it is leathery and winey, then it is dry, woody-spicy and jellied-loukhoum-like. The two materials continue to evolve and in doing so, change the character of the rose-oud pairing we are smelling. So, when the oud reveals that regal, spicy leather underpinning so typical of high-quality Hindi ouds, the rose offers up its truffles and wine.

#Detours tailbone for sale series#

Later, however, when there is more room to breathe, the rose offers up a kaleidoscope of different ‘flavors’, cycling through wine and chocolate to raspberry liquor, Turkish delight, truffles, and finally, that traditional rose-sandalwood ‘attar’ scent.īut it is crucial to note that these nuances all unfold in sequence, matching step for step the series of nuances emerging from the Hindi oud. When the Hindi oud at first challenges the senses with its pungent, feral qualities – think beasts of burden steaming together in a barn, old saddles piled on old wooden barrels in the corner, piss-soaked straw matted into the dirt floor – the rose (not Taifi, for sure, but more likely something like Rosa bourboniana, used to distill attar of roses, or Rosa damascena, used to distill ruh gulab, or a mix) is there merely to soften and sweeten things. The balancing act the materials perform is nothing short of magisterial. I am not sure that this makes a difference to the resulting oud oil, but the environmentalist in me likes the thinking around circular economy it implies. Interestingly, the ouds in Beauty and the Beast have been distilled using rose hydrosols, meaning that the water normally loaded into the still with the oud chips has been replaced with rosewater, the natural by-product of distilling roses. The Hindi oud and the rose oils used here are so complex in and of themselves that an experienced perfumer chooses wisely when they leave them alone to work their synergistic magic on each other. When the starring raw materials are this good, you don’t need to. The first sniff of Beauty and the Beast makes me realize, with great joy, that cultural ‘scent’ patrimony is never lost entirely, but rather, constantly over-written by new entrants like this.īased on the age-old Middle Eastern custom of pairing the sometimes challengingly sour, regal animalism of Hindi oud (the Beast) with the soft, winey sweetness of rose (the Beauty), Beauty and the Beast doesn’t deviate too dramatically from the basic rose-oud template. These were mukhallats that successfully positioned feral ouds against the softening backdrops of rose, ambergris, and musk, stoking a love for oud among the heretofore uninitiated. I wrote about the new generation of Amouage attars (2021) a while back, but in trying to couch my disappointment in terms of market realities, I skipped over the sense of loss – emotional and patrilineal – of never seeing the likes of Badr al Badour, Al Shomukh, and Al Molook again. Since their composition do revolve around the use and theme of Indian attars, however, it might be useful for readers to read my previous article describing the attar set first. This release, on the other hand, is a collection of spray-based fragrances (not oils) made by Russian Adam himself, rather than commissioned from an attar distiller. The first release in the History of Attar Collection was a set of traditionally-distilled attars specifically commissioned by Areej Le Dore to give its customers an idea of what Indian attars are ( thoughts and reviews of the attar set here).